The Parkin Drawing Prize is Aotearoa New Zealand’s premier award for drawing. It promotes drawing in all its forms – as discovery, a testing of ideas, and decision making.
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Artwork price and details click here
Artist | Title of work | medium | height mm |
width mm |
depth mm |
price NZ$ |
Rebecca Agnew | The Britney Spears Freedom Galaxy Endowment | Graphite, gouche and oil stick | 710 | 910 | 2200 | |
Kathy Barber | Plume | Acrylic, sumi ink and oil glaze on linen | 1220 | 850 | 8500 | |
Gareth Barlow | In Their Presence You Will Grow | Charcoal (some salvaged from carving remains) on Fabriano Artistico Paper | 1500 | 1000 | 1 | 7500 |
Jordan Barnes | The Artist In Situ ( The War of Art ) | Charcoal on paper | 1700 | 1750 | 12000 | |
Denise Batchelor | Mark Making, Slowly | Video | 1 | 1 | 2800 | |
Janet Bathgate | Micrographica Anxietacea | Charcoal, ink, graphite, paper, fabrics, thread, pins | 1370 | 2030 | 2300 | |
Felicity Bergstrom | I Captured Your Being | Graphite pencil | 280 | 215 | 1 | 580 |
Louie Bretana | Nature Waits Underneath The Concrete | Ceramic | 215 | 215 | 5 | 1800 |
Brian Harris & Raewyn Turner | Sort | Electronics, fragrance, borosilicate glass, brass, tin, sensor, fan, LEDs, integrated circuits | 300 | 300 | 60 | 10000 |
Laura Buchanan | Names Will Never Hurt Us | Ceramic | 160 | 300 | 300 | 250 |
Esther Bunning | Celebral Unravel | Cotton thread drawing on silk photograph | 1250 | 860 | 2200 | |
Esther Bunning & Catherine Daniels | Pixelated Memories | Pixelated charcoal drawing on projected image | 3000 | 3000 | 1500 | 4500 |
Lisa Call | The Journey | Mixed media - triptych | 30 | 93 | 1200 | |
Lisa Call | Aragon | Mixed media | 46 | 46 | 875 | |
Hana Carpenter | Land Body | Acrylic, water, pigment and linseed oil on Hahnemühle cotton paper | 280 | 380 | 650 | |
Greg Chaston | R.N. Barnes | Charcoal, acrylic black and white | 900 | 600 | 25 | 4000 |
Katherine Claypole | A Temporal Anomaly | Handstitched cotton thread on stretched canvas | 600 | 1200 | 30 | 3200 |
Pass the Blue Collective | Restless | Ink, pencil, coloured pencil | 1000 | 2145 | 1850 | |
Zoe Cromwell | We Are a People of Hope | Cane, cloth and acrylic paint | 760 | 370 | 290 | 750 |
Brenna Crump | Boston Terrier | Graphite pencil on paper | 480 | 310 | 350 | |
Akiko Diegel | Thinker | Red thread on paper | 500 | 500 | 3200 | |
Akiko Diegel | David | Red thread on paper | 500 | 500 | 2250 | |
Inge Kuindersma Doig | Faces in the Sand | Paint and ink on see-through vinyl | 2900 | 1550 | 4500 | |
Sam Dollimore | Do You Think Dreams Are Shared Space (Let's Talk About it Tonight) | Fine-tipped ink pen on paper | 575 | 765 | 3200 | |
Wana Ellison | Vol. 2, pg. 65 | Ballpoint pen on acid free paper | 297 | 205 | 675 | |
Leslie Falls | Ophelia and Arthur go to Town Part 2 | Ink on paper | 1350 | 1100 | 1900 | |
Nicholas Fields | We Are Made of the Same Stuff | Charcoal (willow and plum), coloured pencil, acrylic paint | 1000 | 1500 | 800 | |
Stuart Forsyth | Self-portrait | Washed hair fibre (various) removed from the artist’s body on the 21 May 2022, hairspray, non-toxic acid free glue, Hahnemühle Agave Watercolour 290 gsm acid-free lightfast vegan paper | 640 | 440 | 0 | 5000 |
Robyn Gibson | 14 Things | Plaster paint resin cotton | 1300 | 1700 | 10 | 1200 |
James Gilbert-Milne | 974:1223 | Sweat, muscle, GPS and computer | 1800 | 500 | 1500 | |
Brett Harfield | 20/20 | Graphite and colour pencil | 210 | 297 | 400 | |
Emily Harris | Down in the Valley by the Stream | Paper Collage and Ink | 1200 | 1500 | 6250 | |
Rowan Heap | Tomboy | Charcoal | 715 | 520 | 4700 | |
Vishmi Helaratne | Vishmi's Web | Graphite on paper | 1250 | 1140 | 3800 | |
Lesa Hepburn | Erosion | Harakeke - Kupenga weave | 640 | 1400 | 2500 | |
Veronica Herber | Joy Net | Japanese Washi Tape and Pencil | 530 | 400 | 0 | 2477 |
Veronica Herber | Burnish | Graphite Powder and Japanese Foto Masking Tape | 320 | 220 | 0 | 1901 |
Ina Johann | Mapping Another Life - A State of Being in Disguise of a Cloud/Glitches 2022 | Digital drawing c-type photograph | 540 | 800 | 3900 | |
Locust Jones | Isolation Is Bad For Business | Animation film | 1 | 1 | 4500 | |
Katherine Joyce-Kellaway | (un)certainty | Pencil on Archival Bristol Board (Hahnenühle) | 420 | 594 | 0.345 | 975 |
Motoko Kikkawa | Weathers | Paper, pencil, colour pencils | 56 | 76 | 2000 | |
Erika Kruger | Freak Show | Acrylic and drawing ink on ply (6 sections) | 1190 | 2450 | 3200 | |
Helen Lenihan | Scorched Earth 3 | Watercolour paper, ink, charcoal, smoked clay beads, stitch | 760 | 760 | 5 | 1100 |
Kate MacKenzie | Refugees | Tulle and cotton (with electric fan installation) | 1200 | 1390 | 25 | 3000 |
Friday Meulengracht-Madsen | MeatSack #2 | Calico, Cotton Thread and a small amount of neon PVC | 350 | 470 | 5 | 3000 |
Rosemary Mortimer | Fragile Worlds | Intaglio from found object | 1360 | 950 | 1850 | |
Deborah Moss | This Is The Place | Acrylic, ink, oil pastel on plywood | 1200 | 1200 | 35 | 5295 |
Kylie Murrle | Metaverse | Marker pen, pencil, cotton paper | 520 | 405 | 0 | 960 |
Samantha Murton | I Don't Know What The Doctor Said | Pen on paper, collage | 610 | 920 | 40 | 2000 |
Debbie Neill | Evanescence lV-ll | Recycled Wire | 750 | 1400 | 20 | 2500 |
Debbie Neill | Evanescence Xl-l | Recycled Wire | 1400 | 650 | 20 | 2200 |
Gill Newland | Loop de Doo-dle | Acrylic paint, on Belgian linen on drafting film | 400 | 400 | 950 | |
Simon Nicholls | Rugosity | Acrylic on paper | 300 | 400 | 1200 | |
Rachel Hope Peary | Scrawl | Hand-crocheted thread and cedar | 1400 | 1170 | 65 | 12000 |
Robyn Penn | Hold Time | Encaustic and graphite on paper | 1500 | 1500 | 7050 | |
Roberta Queiroga | The Divorce Dress | Mixed media with parts of my own wedding dress, image transfer, pencil, gold leaf, nail polish and wedding gift | 1200 | 450 | 450 | 2000 |
Helen Reynolds | Black 1.113 (Doubt and Certainty) | Ink on paper | 2300 | 1200 | 2250 | |
Peter Rive | Untitled (Studio Floor) | Gesso, polymer enamel, spray paint, tape, dust, various media on industrial tarpaulin | 1500 | 1500 | 8000 | |
Francis Salole | The Ossuary (In Deep Water) | Pencil, acrylic, and oil | 150 | 300 | 20 | 1080 |
Lea-Anne Sheather | Blessings Bequeathed | Cotton, silk and chiffon on wool | 1000 | 820 | 2500 | |
Louann Sidon | A Kind of Pale Jewel | Watercolour, ink, liquid charcoal, powdered bronze | 770 | 1120 | 3500 | |
Margaret Silverwood | Sunflower | Coloured pencil on paper | 380 | 270 | 1680 | |
Anne-Marie Simon | Sombre | Free form embroidery on domestic machine | 650 | 515 | 35 | 950 |
Madeleine Slavick | In Times Like These | Photograph | 610 | 417 | 450 | |
Jo Stallard | There's Always Something About Gaia | Chalk & Charcoal on grey Strathmore paper | 820 | 680 | 2700 | |
Sian Stephens | Liam Cutting His Hair After An All-nighter | Colour pencil, ink and acrylic paint on brown card | 485 | 420 | 1530 | |
Jane Tan | Journal Entry - Air | Gorse charcoal, paper | 1500 | 880 | 2000 | |
Ashia Te Moananui | Schizophrenia is the Art of Seeing the Invisible | Zeta paper, brush pen printed onto Hahnemühle paper | 420 | 297 | 0 | 3600 |
Emma Theyers | Untitled (Riverton Stone 3) | Charcoal and graphite on cement fibre board | 916 | 916 | 40 | 5595 |
Cathy Tuato'o Ross | Charites | Ink, gouache, carbon, crayon | 1500 | 1390 | 2150 | |
Briar Tucker | For Just a Moment on the Lips | Soft pastel on cotton paper | 700 | 1050 | 9000 | |
Greta Umbers | Forecast | Mixed media on paper | 760 | 560 | 2900 | |
Folina Vili | Untitled (hair) diptych | Hair on paper | 152 | 184 | 630 | |
Christopher- David White | Sound of the Crowd | Graphite, charcoal and chalk on Carrera marble | 415 | 560 | 20 | 5200 |
Billy Wilson | Tearing Strips 10 | Stretched, painted and torn kraft paper | 1170 | 830 | 1 | 1350 |
Bonnie Wroe | Jane | Coloured pencil on paper | 280 | 207 | 3600 |
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